The First Moderns Profiles in the Origins of Twentieth Century Thought A lively and accessible history of Modernism The First Moderns is filled with portraits of genius and intellectual breakthroughs that richly evoke the fin de si cle atmosphere of Paris Vienna St

  • Title: The First Moderns: Profiles in the Origins of Twentieth-Century Thought
  • Author: William R. Everdell
  • ISBN: 9780226224817
  • Page: 244
  • Format: Paperback
  • A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin de si cle atmosphere of Paris, Vienna, St Louis, and St Petersburg William Everdell offers readers an invigorating look at the unfolding of an age.

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      Published :2019-04-18T18:50:49+00:00

    About "William R. Everdell"

    1. William R. Everdell

      William R. Everdell Is a well-known author, some of his books are a fascination for readers like in the The First Moderns: Profiles in the Origins of Twentieth-Century Thought book, this is one of the most wanted William R. Everdell author readers around the world.

    429 thoughts on “The First Moderns: Profiles in the Origins of Twentieth-Century Thought”

    1. This book is quite good, it is very readable, though Everdell (who teaches in a secondary school and is very smart) is a bit glib. He often tells us what Modernism is (and it sounds right), but without actually showing us (that is demonstrating in great detail) that it IS thus. Hence, the missing star. He is especially strong on science, math, music -- which he sees as key instances of the Modernist ethic of fragmentation and the ontological discrete (rejection of continua). In lieu of posting a [...]


    2. To what period can we trace the origins of Modernism, the seminal cultural shift that blossomed during the early half of the twentieth century and at whose occasionally nebulous feet are lain the credit for many wonders and the imputation of many horrors? William Everdell firmly places it in the period in and around the fin-de-siècle of the nineteenth century: commencing circa 1872 with the discovery of the proto-binary Dedekind Cut by the German mathematician Richard Dedekind and continuing to [...]


    3. Books of intellectual history with this size and scope are always difficult to talk about. I’ve read some that were abysmal failures, while others were highly successful. If I had to place this one along a spectrum, it’s certainly close to the latter for a couple of reasons. First, a point which has nothing to do with the quality of the book itself, but that I admire nonetheless: it was written not by an academic with narrow scholarly interests, but a wonderfully eclectic generalist, William [...]


    4. Everdell paints for us a wonderfully enchanting history of modernism. He manages to craft his story through light and agile prose, crafting lively stories while maintaining scholarly rigor. I was particularly pleased with this aspect of The First Moderns, as books that manage to balance rigor and narrative appeal are not easily found (consider Louis Menand's Metaphysical Club, which is wonderfully written, but lacks nuance in describing pragmatism). Everdell essentially tells us stories, and in [...]


    5. Totally engaging overview of the author's idea of the process and reach of Modernism at the beginning of the 20th century and how it spilled over throughout the first half of the century. A great cultural/intellectual history told in stories. Sightly outdated due to its 1997 publication date, but the arguments are solid and well-articulated. Obviously some of the physics, math, and philosophy went over my head, but that's not the author's fault; rather my ignorance and the depth of the ideas. I [...]


    6. Modernism didn't magically begin in 1900. Many so-called modern ideas began in the 19th-century instead of the 20th. Everdell's views of the arts and sciences provide a complex and nuanced picture of what so-called Modernism is as a phenomenon, as well as how that concept varied in its different manifestations. I read the book when it was first published, and recall writing to the author about a few factual errors in the chapter on music: I wonder if those got fixed in the paperback edition? (My [...]


    7. The First Moderns covers maths, physics, genetics, painting, poetry, fiction, drama and more. It is quite technical. Well told. One thing missing from learning history in school was connections. You learned one thing, then another but the two were never related. I hope that schools do a better job with that now. Mr. Everdell does an excellent job of connecting the events across all the subjects in a way one can make sense of it all.


    8. Great book. Probably the best I've read on the subject of Modernism. Unlike others, it tackles the scientific and mathematical thinkers that helped create twentieth century thought. Great starting place for understanding the implications of the term, and Everdell can tell fascinating stories of the individuals responsible while breaking down complex ideas for the general reader.


    9. A book that I read when I was grappling with just what the hell Modernism and it's loud child Post was. A far reaching subject that is dealt with across multiple disciplines refraining from holding Modernism with Romantic eyes.


    10. This book was sort of the linchpin of the seminar, and now that I'm looking through it, my interest is renewed and I think this book (and class for sure) may have gone a long way towards my desire to major in European history.


    11. A good history of Modernism in the twentieth century. I appreciated the influential characters from science, literature, art and social sciences coming together in the narrative of modern trends.



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